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The sound design for Walking with Beasts was done by Kenny Clark. Clark and his partner Jovan Ajder began the process by recording foley sound effects, such as footsteps. Then, Clark and Ajder began constructing a sound library through recording their own sounds and contacting web-based FX companies as well as companies around the world.
A police helicopter hovering nearby opened fire on Kong to protect the approaching tram. Kong retaliated which causes the roof of the tram to rumble and sends the chopper crashing and exploding into the bridge. Narrowly escaping the attack, the tram finally crossed over the river to Roosevelt Island, the sound of giant footsteps seeming to follow.
Giant Steps is a studio album by the jazz musician John Coltrane. It was released in February 1960 through Atlantic Records. [1] [2] [4] This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time.
"Giant Steps" is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
This category entails the sound of footsteps. [3] To make the sound of walking down a staircase, Foley artists stomp their feet on the floor or a much smaller staircase while watching the footage to remain in sync with the actor. Foley studios carry many different types of shoes and several different types of floors to create footstep sounds. [6]
The effect is all-encompassing, fluid, almost reverent — quite like sitting at the bottom of a pool, watching the sunlight glitter on the surface, as Zardoya does in the cover art.
Coltrane continued his explorations on the 1960 album Giant Steps and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation.
When the required sound effect is of a small subject, such as scissors cutting, cloth ripping, or footsteps, the sound effect is best recorded in a studio, under controlled conditions in a process known as Foley. Many sound effects cannot be recorded in a studio, such as explosions, gunfire, and automobile or aircraft maneuvers.
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