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"Everybody Wants You" is a hit song written and performed by American rock singer and guitarist Billy Squier. It appeared as the opening track of his multi-Platinum 1982 album Emotions in Motion, and was released as the second single (following the title track) from that album, reaching #31 on the Cash Box Top 100 and #32 on the Billboard Hot 100 chart.
Everybody Wants You is a song by Canadian singer Johnny Orlando. It was released on September 10, 2020, as a single from his third EP It's Never Really Over.
Everybody Wants Some!! is a 2016 American comedy film written and directed by Richard Linklater, about college baseball players in 1980s Texas. The film stars Blake Jenner , Zoey Deutch , Glen Powell , Ryan Guzman , Tyler Hoechlin , Will Brittain , and Wyatt Russell .
Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound ...
"Everybody Here Wants You" is a song by American musician Jeff Buckley, released as the lead single from the posthumous album Sketches for My Sweetheart the Drunk. It was written as a love song for Joan Wasser, his girlfriend at the time. In October 2011, NME placed it at number 88 on its list "150 Best Tracks of the Past 15 Years". [4]
"Everybody Wants Some!!" is a song by the American hard rock band Van Halen it is the second track off their 1980 album Women and Children First. It is one of the band's most popular songs, starting as a concert highlight throughout the band's early career.
The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like "Cheers"—a place "Where Everybody Knows Your Name". The two songwriters recorded a simple piano/voice demo of the new song for the Cheers producers.
German art historian Benjamin H. D. Buchloh suggests that the core tenet of Warhol's aesthetic, being "the systematic invalidation of the hierarchies of representational functions and techniques" of art, corresponds directly to the belief that the "hierarchy of subjects worthy to be represented will someday be abolished;" hence, anybody, and therefore "everybody," can be famous once that ...