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Godai (五大, lit. "five – great, large, physical, form") are the five elements in Japanese Buddhist thought of earth (chi), water (sui), fire (ka), wind (fu), and void (ku). Its origins are from the Indian Buddhist concept of Mahābhūta , disseminated and influenced by Chinese traditions [ 1 ] before being absorbed, influenced, and refined ...
Mahāśūnya (महाशून्य) refers to the “great void”, according to Arṇasiṃha’s Mahānayaprakāśa verse 134.—Accordingly, “The Śāmbhava (state) is the one in which the power of consciousness (citi) suddenly (sahasā) dissolves away into the Great Void [i.e., mahāśūnya] called the Inactive (niḥspanda) that is ...
Tzimtzum can be thought with literal exegesis, that is for the light of God (“Or Ein Sof”) because this has been created, or with Sod because God never changes, also after the Creation; so the “void” is anywhere fill of God and the light could be created inside Him. The “Kav” and the “residue” are only metaphor-images and they ...
Mair 1990 , chapter 28, p. 93) This is an instance of how wuji with "integrity" (Chinese: 德) can become dualistic by dividing into yin and yang. Following this interaction the Dao transforms into the One , which becomes the Two , and then the Three . The ten thousand things (the universe) then comes into existence: 道生一，一生二，二生三，三生万物。 — Tao Te Ching Zhuangzi ...
A Void, translated from the original French La Disparition (lit. "The Disappearance"), is a 300-page French lipogrammatic novel , written in 1969 by Georges Perec , entirely without using the letter e , following Oulipo constraints.
The Penguin Book of Japanese Short Stories is a 2018 English language anthology of Japanese literature edited by American translator Jay Rubin and published by Penguin Classics. With 34 stories, the collection spans centuries of short stories from Japan ranging from the early-twentieth-century works of Ryūnosuke Akutagawa and Jun'ichirō ...
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For Buddhists, the term "Innumerable Meanings" or "Infinite Meanings" is used in two senses. The first, used in the singular, refers to the true aspect of all things, the true nature of all forms in the universe. The second sense, used in the plural, refers to the countless appearances or phenomena of the physical, visible world.
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