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Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
The verse of the theme to Valley of the Dolls uses the time signatures 4 4, 3 4, 2 4, 4 4, 4 4, effectively producing 17 4. The rhythmic proportions of Stockhausen's Klavierstück IX are governed by the Fibonacci series, resulting in time signatures of e.g. {{Time signature|21|8}}, {{Time signature|34|8}}, {{Time signature|42|8}}, {{Time ...
There can be up to seven flats in a key signature, applied as: B ♭ E ♭ A ♭ D ♭ G ♭ C ♭ F ♭ [9] [10] The major scale with one flat is F major. In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat.
If the beat is 6 quarter notes then it's simple if the beat is 2 dotted half notes it's s coumpound time signature. As simple as that. 3/4 isn't a device to make your time signature simple 6/8 doesn't automatically make your music complex either. What if I wanted to count that as a 6 beat measure. It's up to the piece and the composer.
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2. [1] The term is Italian for "on the breve", originally meaning that the beat was counted on the breve (double whole note). [2] Alla breve is a "simple-duple meter with a half-note pulse". [3] The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature 2
A time signature of 21 8 , however, does not necessarily mean that the bar is a compound septuple meter with seven beats, each divided into three. This signature may, for example, be used to indicate a bar of triple meter in which each beat is subdivided into seven parts.