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  2. 1176 Peak Limiter - Wikipedia

    en.wikipedia.org/wiki/1176_Peak_Limiter

    The way the 1176 sounds, and specifically, the way all-button mode sounds, is partially due to its being a program dependent compressor. The attack and release are program dependent, as is the ratio. The 1176 will faithfully compress or limit at the selected ratio for transients, but the ratio will always increase a bit after the transient.

  3. LA-2A Leveling Amplifier - Wikipedia

    en.wikipedia.org/wiki/LA-2A_Leveling_Amplifier

    The LA-2A is a hand-wired, tube-based compressor. It uses an electroluminescent panel together with a cadmium-sulfide light-dependent resistor (which in the LA-2A's own terminology is called the T4 cell) to provide gain reduction. The properties of the T4 give the LA-2A its unique character by making it an entirely program-dependent design.

  4. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    One compressor generally stabilizes the dynamic range while the other aggressively compresses stronger peaks. This is the normal internal signal routing in common combination devices marketed as compressor-limiters, where an RMS compressor (for general gain control) is followed by a fast peak-sensing limiter (for overload protection). Done ...

  5. Synth1 - Wikipedia

    en.wikipedia.org/wiki/Synth1

    Synth1 is the all-time most downloaded VST plug-in on KVR Audio, [13] and was ranked number 5 on MusicRadar's list of "The 27 best free VST plug-ins in the world today". [14] It has over 25 thousand free patches to download online. Because Synth1's versatility, there are a wide variety of patches available.

  6. Parallel compression - Wikipedia

    en.wikipedia.org/wiki/Parallel_compression

    Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing.Parallel compression, a form of upward compression, is achieved by mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal.

  7. Virtual Studio Technology - Wikipedia

    en.wikipedia.org/wiki/Virtual_Studio_Technology

    In 2006, the VST interface specification was updated to version 2.4. Changes included the ability to process audio with 64-bit precision. [6] A free-software replacement was developed for LMMS that would be used later by other free-software projects. [7] [8] VST 3.0 came out in 2008. Changes included: [9] Audio Inputs for VST Instruments

  8. EMS VCS 3 - Wikipedia

    en.wikipedia.org/wiki/EMS_VCS_3

    The VCS 3 has three oscillators (the first two normal voltage-controlled oscillators; the third a low-frequency oscillator), a noise generator, two input amplifiers, a ring modulator, 24 dB/octave low-pass voltage-controlled filter, [citation needed] a trapezoid envelope generator, a joystick controller, a voltage-controlled spring reverb unit, and two stereo output amplifiers.

  9. FastTracker 2 - Wikipedia

    en.wikipedia.org/wiki/FastTracker_2

    FastTracker 2 (also referred to as FastTracker II) is a music tracker created by Fredrik "Mr. H" Huss and Magnus "Vogue" Högdahl, two members of the demogroup Triton (who later founded Starbreeze Studios) who set about releasing their own tracker after breaking into the scene in 1992 and winning several demo competitions.