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Slow Hole to China: Rare and Unreleased is an album by American rock band Clutch, consisting of various previously unreleased recordings, released in 2003.Clutch has since released two remastered reissues of the album: on April 28, 2009, re-titled Slow Hole to China: Rare and Re-released [1] and in 2024, simply titled Slow Hole to China.
Full Fathom Five. (2008) From Beale Street to Oblivion is the eighth full-length studio album by American rock band Clutch. It was produced by Joe Barresi (whose credits include The Melvins, Kyuss, Queens of the Stone Age and Coheed and Cambria), and released on the DRT Entertainment label. The album was released on March 20, 2007, and was the ...
Clutch discography. The discography of Clutch, an American rock band, consists of thirteen studio albums, five live albums, three compilation albums, five extended plays, ten singles, and two video albums. Clutch was formed in 1991 by vocalist Neil Fallon, guitarist Tim Sult, bassist Dan Maines and drummer Jean-Paul Gaster. [1]
Clutch (band) Clutch is an American rock band from Germantown, Maryland. [5] Since its formation in 1991, the band lineup has included Tim Sult (lead guitar), Dan Maines (bass), Jean-Paul Gaster (drums), and Neil Fallon (vocals, rhythm guitar, keyboards). To date, Clutch has released thirteen studio albums, and several rarities and live albums ...
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Psychic Warfare (2015) Earth Rocker is the tenth studio album by American rock band Clutch. It was released on March 15, 2013 by Weathermaker Music. Earth Rocker is the first studio album to be released by Clutch since Strange Cousins from the West in 2009. The album was produced by Machine, who also produced the band's 2004 album Blast Tyrant.
The band convened in a 100-year-old house in West Virginia which they lodged in while making the album. Several incidents the band members experienced during their residence there became inspirations for some of the songs, notably in "The Soapmakers" and "Wishbone". Bassist Dan Maines had set up a BMX track in the yard surrounding the house.
The album is considered to be the point where the band had begun to evolve their stoner and blues rock know-how. The record also keeps with their punk metal credentials, containing some heavier tracks. [6][7] The album is considered a staple of the 1990s stoner rock genre. [8] The album features some of their more "spacey" pieces such as "Big ...
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