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Gilbert and Sullivan: Gender, Genre, Parody. New York: Columbia University Press. ISBN 978-0-231-14804-7. Wilson, Robin; Frederic Lloyd (1984). Gilbert & Sullivan: The Official D'Oyly Carte Picture History. New York: Alfred A. Knopf, Inc. ISBN 978-0-394-54113-6. Wolfson, John (1976). Final Curtain: The Last Gilbert and Sullivan Operas. London ...
This category describes people who were particularly known for their friendships or other associations with W. S. Gilbert and/or Arthur Sullivan and/or Richard D'Oyly Carte or their families. It also includes a few later scholars of Gilbert and Sullivan, but people who were or are better known as performers or conductors of Gilbert and Sullivan ...
Cover of piano transcriptions, 1887. Iolanthe; or, The Peer and the Peri (/ aɪ. oʊ ˈ l æ n θ i /) is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882.
Media in category "Gilbert and Sullivan" This category contains only the following file. Illustrated London News - Gilbert and Sullivan - Ruddygore (Ruddigore) review.jpg 1,996 × 8,660; 10.84 MB
The character of Major-General Stanley was widely taken to be a caricature of the popular general Sir Garnet Wolseley.The biographer Michael Ainger, however, doubts that Gilbert intended a caricature of Wolseley, identifying instead the older General Henry Turner, an uncle of Gilbert's wife whom Gilbert disliked, as a more likely inspiration for the satire.
[9] [11] Gilbert and Sullivan continued their separate careers, though both continued writing light opera. [12] Finally, in 1877, Carte organised a syndicate of four financiers and formed the Comedy Opera Company, capable of producing a full-length work. [13] By July 1877, Gilbert and Sullivan were under contract to produce a two-act opera. [14]
Peter Pratt as Bunthorne in Patience. Peter Pratt (21 March 1923 – 11 January 1995) was an English actor and singer. He was best known for his comic roles in the Gilbert and Sullivan comic operas.
Gilbert and Sullivan disagreed on several matters, including the character of Lady Sophy, and Sullivan found some of Gilbert's lyrics difficult to set. [9] Their lack of cohesion during the writing and editing of Utopia was in marked contrast with what Sullivan called the "oneness" of their previous collaborations since Trial by Jury in 1875 ...