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Live at the Paramount is a live video and album by American rock band Nirvana, released on September 24, 2011. It was released on DVD and Blu-ray Disc as part of the 20th anniversary of the band's second album and mainstream breakthrough, Nevermind .
"Something in the Way" was performed as part of Nirvana's MTV Unplugged concert on November 18, 1993, at Sony Music Studios in New York City. This version featured Pat Smear on second guitar and Lori Goldston on cello. This song was performed live by Nirvana for the final time a week later, on November 26, 1993, at the Morocco Shrine Auditorium.
Nirvana's major label debut was their second album, Nevermind, which was released on DGC Records in September, 1991. On August 15, 1991, Nirvana played a concert at the Roxy Theatre in West Hollywood, California to showcase the band to the new record company.
Nirvana's Nevermind continues to endure nearly 30 years, but would its legend be what it is if it was released today? Butch Vig isn't so sure. The album's producer observed that if Nirvana's ...
Nevermind will be… The post Nirvana’s Nevermind Is Being Reissued for Its 30th Anniversary appeared first on SPIN. Nirvana's classic sophomore album turns 30 tomorrow (stay tuned to the site ...
The video includes live performances, as well as interview clips, news footage and the band's home movies. [1] The live material is drawn largely from the band's 1991 Nevermind tour, with their shows at the Paramount Theatre in Seattle, Washington, on October 31, 1991, and Paradiso in Amsterdam, Netherlands, on November 25, 1991, featured most prominently.
The post 41 Artists Reflect on Nirvana’s Nevermind Turning 30 appeared first on SPIN. The world changed 30 years ago today. Though it took a few months before the proverbial train left the ...
The full session, which also included versions of the Nevermind song "Drain You" and future In Utero song "Dumb", was first broadcast on November 3, 1991. [citation needed] When played live, "Endless, Nameless" was usually performed last, with the band members frequently destroying their instruments and the stage during the end.
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