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Champion Spark Plug Hour was a music radio program sponsored by Champion.It was broadcast on New York's WJZ and WGY during the late 1920s and early 1930s. An entry in The Chronicle-Telegram (Elyria, Ohio) for October 4, 1926, indicates the show aired on Tuesday afternoons at 5 p.m. [1] By 1928, they were heard Wednesday evenings at 8 p.m. on the NBC Blue Network.
In many English-speaking countries, a telegram delivery boy, telegraph boy or telegram boy was a young man employed to deliver telegrams, usually on bicycle. In the United Kingdom , these messengers were employed by the General Post Office ; in the United States , they worked for Western Union or other telegraph companies.
Pages in category "1930s American radio programs" The following 200 pages are in this category, out of approximately 236 total. This list may not reflect recent changes .
Western Union telegram (1930) Western Union telegram sent to President Dwight Eisenhower wishing him a speedy recovery from his heart attack on Sept 26, 1955. A telegram service is a company or public entity that delivers telegraphed messages directly to the recipient. Telegram services were not inaugurated until electric telegraphy became ...
Pages in category "1930s in music" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. 0–9. 1929–1933; C.
The top popular records of 1930 listed below were compiled from Joel Whitburn's Pop Memories 1890–1954, [3] record sales reported on the "Discography of American Historical Recordings" website, and other sources as specified. Numerical rankings are approximate, there were no Billboard charts in 1930, the numbers are only used for a frame of ...
1930s; 1940s; 1950s; 1960s; 1970s; 1980s; Subcategories. This category has the following 11 subcategories, out of 11 total. ... Pages in category "1933 in music" The ...
The strike was not the only cause of this decline, but it hastened the shift from big bands with an accompanying vocalist to an emphasis on the vocalist, with the exclusion of the band. In the 1930s and pre–strike 1940s, big bands dominated popular music; immediately following the strike, vocalists began to dominate popular music. [25] [26]