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The composition draws much from the 1420 Nativity of van der Weyden's master, Robert Campin, in Dijon. The stable is a half-ruined thatched Romanesque building, rather than the traditional wooden hut, with stone walls and arched windows, and one prominent classical pillar, uniquely in van der Weyden's work shown in an oblique perspective view.
This Nativity by Rogier van der Weyden, part of the Bladelin Altarpiece, follows Bridget's vision, with donor portrait and Romanesque ruins. Saint Joseph, traditionally regarded as an old man, is often shown asleep in Nativities, and became a somewhat comical figure in some depictions, untidily dressed, and unable to help with proceedings.
Most of the works of Rogier van der Weyden consist of triptychs, diptychs or polyptychs, each including more than one panel. Some are dismembered and the parts are kept in different museums. Some panels are only fragmentary remains. This list features the paintings accepted as authentic by Dirk de Vos (2000). They are listed chronologically ...
Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dər ˈʋɛidə(n)]; 1399 or 1400 – 18 June 1464), initially known as Roger de le Pasture (French: [ʁɔʒe d(ə) la pastyʁ]), was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits.
The Miraflores Altarpiece (or Triptych of the Virgin, or The Altar of Our Lady or the Mary Altarpiece) is a c. 1442-5 oil-on-oak wood panel altarpiece by the Early Netherlandish painter Rogier van der Weyden, in the Gemäldegalerie, Berlin since 1850. [1] [2] The altarpiece examines Mary's relationship with Christ at different stages of his life.
Rogier van der Weyden's St Columba Altarpiece.Oil on oak panel, 138 x 70 cm, 138 x 153 cm, 138 x 70. Alte Pinakothek, Munich. The Saint Columba Altarpiece (or Adoration of the Kings) is a large c. 1450–1455 [1] oil-on-oak wood panel altarpiece by Early Netherlandish painter Rogier van der Weyden painted during his late period.
The Virgin and Child Enthroned (also known as the Thyssen Madonna) is a small oil-on-oak panel painting dated c. 1433, usually attributed to the Early Netherlandish artist Rogier van der Weyden. [1] It is closely related to his Madonna Standing , completed during the same period.
Virgin and Child with Saints, [3] is a large mid-15th century oil-on-oak altarpiece by the early Netherlandish painter Rogier van der Weyden. The work is lost since at least the 17th century, known only through three surviving fragments and drawing of the full work in Stockholm's Nationalmuseum by a follower of van der Weyden. [4]