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Three men, reared together in New Orleans, but whose paths have drifted apart, each face a crisis during the last weekend of Mardi Gras: Dr. Jason Kent must decide between accepting a chance to become famous as a research scientist, which will mean leaving New Orleans and giving up the girl he loves, Susan Corvier, or staying in his father's practice among the poor; Father Victor Carducci is ...
At a cost of $2.7 billion, Wynn Las Vegas was the most expensive resort ever built, beating Wynn's $1.6 billion Bellagio, which opened on the Strip in 1998. Wynn Las Vegas opened on April 28, 2005, with 2,716 rooms and a 111,000 sq ft (10,300 m 2) casino. At the time, its 45-story hotel tower was the tallest building in Nevada.
Winner Takes All recounts the real estate development history of the Las Vegas Strip between 1998 and 2007. [2] The book primarily covers three major corporate deals: Kirk Kerkorian's 2000 purchase of Steve Wynn's Mirage Resorts; MGM Mirage's 2004 buyout of Mandalay Resort Group; and Gary Loveman's Harrah's 2004 takeover of Caesars.
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The film is styled as a documentary following Russell Wynn, a wealthy and mysterious entrepreneur who wants the Abaddon Hotel to serve as the location for an immersive theater experience called "Insomnia" based on Faust. Although aware of the location's history, he is keen to proceed with the venture despite others warning him of ongoing and ...
Mayer directed and co-wrote the book for the Green Day-inspired musical American Idiot (which premiered in 2009 at Berkeley Rep and transferred to Broadway in 2010), based on the band's album of the same name. He directed and "re-conceived" the 2011 revival of On a Clear Day You Can See Forever starring Harry Connick Jr.
Wynn privately expresses doubt in the story of the boys, but worries of his perception from the black community if he does not stand with the boys, especially from Malik, an intense composite character that represents black power, Nation of Islam, and Pan-Africanist ideals.
Steve Wynn is an alt-rock hero. He launched the Dream Syndicate in 1981, bridging a gap between the exploratory, improvisational music of the late ‘60s and the visceral immediacy of punk rock.
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