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Rated NC-17: No children under 17 admitted. In 1996, [43] the minimum age for NC-17-rated films was raised to 18, [44] [45] [46] by rewording it to "No One 17 and Under Admitted". [47] The ratings used since 1996 are: [4] Rated G: General audiences – All ages admitted. Rated PG: Parental guidance suggested – Some material may not be ...
G (General Audiences) – Viewers of all ages are admitted. PG (Parental Guidance) – Viewers below 13 years old must be accompanied by a parent or supervising adult. R-13 (Restricted-13) – Only viewers who are 13 years old and above can be admitted. R-16 (Restricted-16) – Only viewers who are 16 years old and above can be admitted.
The MPA was founded as the Motion Picture Producers and Distributors of America (MPPDA) in 1922 as a trade association of member motion picture companies. At its founding, MPPDA member companies produced approximately 70 to 80 percent of the films made in the United States. [4]
Before 2015, unlike the theatrical ratings, only three are applied to video releases and printed on labels: General Audience (G) for films previously rated G in cinemas, Parental Guidance (PG) for most PG and some R-13 or R-16 titles (with cuts for the R-ratings), and Restricted For Adults (R) for some R-13, many R-16, and most R-18 titles ...
G – Intended for general audiences. Programming suitable for the entire family with minimal and infrequent violence. No profanity is allowed, but offensive slang is permitted. No sexual content. PG – Intended for general audiences, but may not be suitable for children under the age of 8. Moderate violence and infrequent/mild profanity is ...
Throughout the network's history, Encore's logo has included a starburst mark. In the original logo used from 1991 to 1994, the starburst appeared within the "O" in the channel's name, which was rendered in uppercase and similar in design to sister network Starz's 2008 logo design – the mark was then revamped into a box design in 1994.
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The Film Classification and Rating Organization (映画倫理機構, Eiga Rinri Kikō), also known as Eirin (映倫), is Japan's self-regulatory film regulator. Eirin was established on the model of the now-defunct American Motion Picture Producers and Distributors Association's Production Code Administration in June 1949, succeeding the US-led occupation authorities' role of film censorship ...