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St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this subject, all inspired by legends told in the Golden Legend and in his Life by Athanasius of Alexandria. He is represented in a setting of solitude and temptation ...
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
The Temptation of St Anthony, another Bosch version, in Kansas City; Isenheim Altarpiece by Matthias Grünewald (1512–1516) The Temptation of St. Anthony, a 1547 painting by Pieter Huys; The Temptation of Saint Anthony, a 1598–1600 painting by Annibale Carracci; The Temptation of St. Anthony, a c. 1650 work by David Teniers the Younger
Triptych of the Temptation of St. Anthony is one of the most famous Bosch's works along with The Garden of Earthly Delights. It shows Saint Anthony being tempted or assailed in the desert by demons, whose temptations he resisted; the Temptation of St Anthony (or Trial...) is the more common name of the subject.
The Temptation of Saint Anthony is an oil-on-oak, single-panel painting by the Early Netherlandish artist Hieronymus Bosch, executed c.1500-1510. [1] The painting features a scene from the life of Saint Anthony in which he was being tempted to sin by demonic spirits. [2]
If you’ve ever thought classical art masterpieces could use more cats, then you’re in for a treat!Svetlana Petrova reinterprets famous art pieces by incorporating her silly cat pictures. The ...
The Temptation of St. Anthony c. 1500–1510 Oil on wood 38.6 x 25.1 cm Nelson-Atkins Museum of Art, Kansas City, MO, USA There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing. [6]
Tolnay, Charles de (1986 [1984]) Hieronymus Bosch, Alphen aan den Rijn: Atrium, ISBN 90-6113-164-2, cat. no. 61, p. 385, 25, as omstreden werk, Bekoring van de H. Antonius , Kansas City, Gallery of Art/Museum of Fine Arts, Nelson Fund, with image in black and white.