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The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
Homeric simile, also called an epic simile, is a detailed comparison in the form of a simile that is many lines in length. The word "Homeric", is based on the Greek author, Homer, who composed the two famous Greek epics, the Iliad and the Odyssey. Many authors continue to use this type of simile in their writings although it is usually found in ...
A Dictionary of Similes is a dictionary of similes written by the American writer and newspaperman Frank J. Wilstach. In 1916, Little, Brown and Company in Boston published Wilstach's A Dictionary of Similes, a compilation he had been working on for more than 20 years. It included more than 15,000 examples from more than 800 authors, indexing ...
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
"In a Station of the Metro" is an Imagist poem by Ezra Pound published in April 1913 [1] in the literary magazine Poetry. [2] In the poem, Pound describes a moment in the underground metro station in Paris in 1912; he suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation".
There is idiosyncratic capitalization, especially for nouns. Many of the themes in the poem are created through the initial simile of winter light "that oppresses, like the Heft / Of Cathedral Tunes -" This simile creates a synesthetic effect, mixing sound, sight, and weight. [8] This simile first introduces religious connotations to the poem.