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"Conventional" pure tone audiometry (testing frequencies up to 8 kHz) is the basic measure of hearing status. [6] For research purposes, or early diagnosis of age-related hearing loss, ultra-high frequency audiograms (up to 20 kHz), requiring special audiometer calibration and headphones, can be measured. [7]
An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. [1] The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours.
[6] [7] [note 1] Under ideal laboratory conditions, humans can hear sound as low as 12 Hz [8] and as high as 28 kHz, though the threshold increases sharply at 15 kHz in adults, corresponding to the last auditory channel of the cochlea. [9] The human auditory system is most sensitive to frequencies between 2,000 and 5,000 Hz. [10]
A graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio). A-weighting is a form of frequency weighting and the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. [1]
The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range. Well-designed solid-state amplifiers and CD players may have a frequency response that varies by only 0.2 dB between 20 Hz to 20 kHz. [4]
The Robinson–Dadson curves are one of many sets of equal-loudness contours for the human ear, determined experimentally by D. W. Robinson and R. S. Dadson. [1]Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though the re-determination carried out by Robinson and Dadson in 1956, became the basis for an ISO standard ISO ...
This is not the best threshold found for all subjects, under ideal test conditions, which is represented by around 0 phon or the threshold of hearing on the equal-loudness contours, but is standardised in an ANSI standard to a level somewhat higher at 1 kHz . There are several definitions of the minimal audibility curve, defined in different ...
While not intended for this application, the 468 curve has also been used (offset to place the 0 dB point at 2 kHz rather than 1 kHz) as "M weighting" in standards such as ISO 21727 [5] intended to gauge loudness or annoyance of cinema soundtracks. This application of the weighting curve does not include the quasi-peak detector specified in the ...