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For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements.
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues , swing , jazz , jazz fusion , rock and heavy metal , guitar solos often contain virtuoso techniques ...
Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:
Artists are set up alphabetically and include some of the following: birth and death dates, classification (vocals, guitar, drums, etc.), a biography, a discography. The discography listings include a five star rating, the music label it was released on, and the date as well as possibly reviews of certain albums.
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
The root movement of the V−IV−I cadential formula found in the blues is considered nontraditional from the standpoint of Western harmony. [7] The motion of the V−IV−I cadence has been considered "backward," [2] as, in traditional harmony, the subdominant normally prepares for the dominant which then has a strong tendency to resolve to the tonic.
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"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
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