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Renaming of tunes occurs from time to time, when a tune is chosen to be printed in a hymnal. When chorales were introduced in England during the eighteenth century, these tunes were sometimes given English-style tune names. The Ravenscroft Psalter of 1621 was the first English book which specified, by name, which tune should set each text.
The Primary Hymn Book, Hymns and Songs for Little Children (1936) [335] United Lutheran Church in America. Common Service Book of the Lutheran Church with Hymnal (1917) [286] Hymnal for the Sunday School (1922) [336] Hymns and Prayers for Church Societies and Assemblies (1923) [337] United Norwegian Lutheran Church of America
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
Warlock in 1924. Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works.
In 1933, the editors of The Presbyterian Hymnal decided to replace "The God of Abraham Praise" with "Praise to The Living God" in the hymnal. In order to make the new hymn familiar to the congregation, they set it to the tune of the old hymn and substituted the first line of the old with the first line of the new. [2]
Leaning on the Everlasting Arms is a hymn published in 1887 with music by Anthony J. Showalter and lyrics by Showalter and Elisha Hoffman. It is most commonly played on the scale of A-flat major . Showalter said that he received letters from two of his former pupils saying that their wives had died.
Almighty ever living God, whose most dearly beloved son Jesus Christ, for the forgiveness of our sins, did shed out of his most precious side both water and blood, and gave commandment to his disciples that they should go teach all nations, and baptize them in the name of the father, the son, and of the holy ghost: Regard, we beseech thee, the ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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