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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
The long hair brush are more keep to hold an ink than the short hair brushes as their length. So, it used for continuous long or short stroke line scripting such as Japanese traditional hiragana style by renmen (Japanese: 連綿). The hair of long hair brushes tend to be made by hard texture hair to keep their hair form, but there is a not one.
Drawing ensō is a disciplined-creative practice of Japanese ink painting, sumi-e. The tools and mechanics of drawing the ensō are the same as those used in traditional Japanese calligraphy: One uses an ink brush to apply ink to washi (a thin Japanese paper). The circle may be open or closed.
At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. [2]
A highly decorative badger hair brush dating to the Ming Dynasty.. The brush (simplified Chinese: 毛笔; traditional Chinese: 毛筆; pinyin: máo bǐ, Korean: 붓 but, Vietnamese: 筆 bút, Japanese: 筆 fude, Ryukyuan: fudi) is the oldest of the Four Treasures, with archaeological evidence dating to Zhou dynasty (1045 BC–256 BC) illustrations on ancient bones.
Japanese fudepen and its different brush strokes. A fudepen (筆ペン), also known as a brush pen, is a cartridge-based writing implement used in East Asian calligraphy; it is, in essence, a cross between an ink brush and a fountain pen. [1] [2]
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