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The Lamb Choral music by John Tavener "The Lamb" in William Blake's Songs of Innocence and of Experience (1794), illustrated by Blake Genre Choral anthem Occasion Third birthday of Tavener's nephew Text "The Lamb" by William Blake Composed 1982 Publisher Chester Music Scoring SATB choir Premiere Date 22 December 1982 Location Winchester Cathedral The Lamb is a choral work written in 1982 by ...
A signature song is the one song (or, in some cases, one of a few songs) that a popular and well-established recording artist or band is most closely identified with or best known for. This is generally differentiated from a one-hit wonder in that the artist usually has had success with other songs as well.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2]
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
The final pages of John Foulds' A World Requiem are written in G♯ major (with F in the key signature), No. 18 of Anton Reicha's Practische Beispiele is written in B# major, and the third movement of Victor Ewald's Brass Quintet Op. 8 is written in F♭ major (with B in the key signature).
She's almost too cute to be real! Get ready for your daily dose of cuteness overload in the form of a rare Devon and Cornwall Longwool lamb, who has just about the cutest smile you'll ever see.
Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei, a part of the Mass, for mixed chorus with optional organ or piano accompaniment. The music, in B-flat minor, has a duration of about eight minutes.
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