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"Pale Blue Eyes" has been covered by a number of artists [6] in addition to Lou Reed and Maureen Tucker from Velvet Underground: Patti Smith performed the song live in the mid- to late-1970s; Edwyn Collins recorded the song with Paul Quinn and released it as a single in 1984. R.E.M. covered the song for the B-side of the single of "So.
Under the Red and White Sky is the first solo album by singer, songwriter and guitarist John Wesley.It was released in 1994 on Racket Records, a label operated by the British progressive rock band Marillion and used mainly for their own and related releases.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison and drummer Angus MacLise.
Blue Gravy: Phase 9: 10", CD EP FAT 627 2001-07-01 Strike Anywhere: Fat Club no. 5 7" single 2001-07-10 Good Riddance: Symptoms of a Leveling Spirit: LP, CD studio album FAT 625 2001-07-24 Hi-Standard: Love Is a Battlefield: CD EP FAT 632 2001-07-31 Good Riddance: Exposed! 1994–1999: VHS video album FAT 609 2001-08-01 Randy: Fat Club no. 6 7 ...
Though the recording had been bootlegged for years, Le Bataclan '72 was officially released on October 19, 2004, featuring two exclusive bonus tracks (both rehearsals—"Pale Blue Eyes" and "Candy Says"). Due to a problem with tape transfers, the speed is slow compared to the original concert.
"Pale Blue" is a love song characterized by the classical sound created by the use of acoustic instruments such as string instruments and the piano. [9] The two choruses are reminiscent of the baroque style, and then the rhythm shifts from four beats to a 6
Transport the audience somewhere, “The Pale Blue Eye” does. The setting is West Point in the 1830s, where Bale’s Augustus Landor — a cagey, grief-stricken veteran detective — is hired to ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...