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Stereoscopy creates the illusion of three-dimensional depth from a pair of two-dimensional images. [5] Human vision, including the perception of depth, is a complex process, which only begins with the acquisition of visual information taken in through the eyes; much processing ensues within the brain, as it strives to make sense of the raw information.
A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format (36 mm × 24 mm). [1][2] Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format. The full-frame DSLR is in contrast to full-frame mirrorless interchangeable-lens cameras, and DSLR and ...
In digital photography, the image sensor format is the shape and size of the image sensor. The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras ...
Yoked prism can move the image away from primary gaze without the need for a constant head tilt or turn. [1] Prism correction is measured in prism dioptres. A prescription that specifies prism correction will also specify the "base". The base is the thickest part of the lens and is opposite from the apex.
Full-spectrum photography is a subset of multispectral imaging, defined among photography enthusiasts as imaging with consumer cameras the full, broad spectrum of a film or camera sensor bandwidth. In practice, specialized broadband/full-spectrum film captures visible and near infrared light, commonly referred to as the "VNIR".
1976: The smallest and lightest 35mm full-frame SLR camera (Pentax MX and ME) [4] 1979: The world's first camera to incorporate the concept of push-button shutter speed control. This camera was the Pentax ME Super [4] 1980: The world's first through-the-lens autofocus camera. This camera was the Pentax ME F [4]
Photographic lens design. The design of photographic lenses for use in still or cine cameras is intended to produce a lens that yields the most acceptable rendition of the subject being photographed within a range of constraints that include cost, weight and materials. For many other optical devices such as telescopes, microscopes and ...
For example, a 50 mm lens on a MFT body would have a field of view equivalent to a 100 mm lens on a full frame camera. For this reason, MFT lenses can be smaller and lighter because to achieve the equivalent 35 mm film camera field of view, the MFT focal length is much shorter. See the table of lenses below to understand the differences better.
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