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The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Photo of the wall of the old house of Goya, done by J. Laurent in 1874. A Pilgrimage to San Isidro (Spanish: La romería de San Isidro) is one of the Black Paintings painted by Francisco de Goya between 1819–23 on the interior walls of the house known as Quinta del Sordo ("The House of the Deaf Man") that he purchased in 1819.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Witches' Sabbath (Spanish: El Aquelarre) [1] is a 1798 oil painting on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid. It depicts a Witches' Sabbath. It was purchased in 1798 along with five other paintings related to witchcraft by the Duke and Duchess of Osuna. [2]
Two Old Ones Eating Soup (Spanish: Dos viejos comiendo sopa) or Two Witches (Spanish: Dos Brujas) [1] is one of the fourteen Black Paintings created by Francisco Goya between 1819 and 1823. By this time, Goya was in his mid-70s and deeply disillusioned.
The social and political turmoil of today resonates in a mammoth, extraordinary show of Francisco de Goya's celebrated etchings at the Norton Simon Museum in Pasadena.
Technical analysis indicates that most of the Black Paintings began with preparatory drawings. Witches' Sabbath is the exception; the final composition seems to have been painted directly onto the wall. The art historian Fred Licht described Goya's brushwork as "clumsy, ponderous, and rough" and in areas lacking the finish found in his earlier ...
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