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As the Moon, So Beautiful. [a]) is a Japanese anime television series produced by Feel. It aired in Japan from April 6 to June 29, 2017. Crunchyroll has licensed the series in North America. It follows two junior high school students, falling in love for the first time and struggling to maintain their relationship.
The point of view looks out on the sea, [17] and the moon appears over it in the distance to the right. [10] Utamaro uses an elevated point of view traditional to Japanese art while employing European-style geometric perspective principles to give the architecture a sense of depth.
Tsukuyomi-no-Mikoto (ツクヨミノミコト, 月読命), [1] or simply Tsukuyomi (ツクヨミ, 月読) or Tsukiyomi (ツキヨミ), [2] is the moon kami in Japanese mythology and the Shinto religion. The name "Tsukuyomi" is a compound of the Old Japanese words tsuku (月, "moon, month", becoming modern Japanese tsuki) and yomi (読み ...
"Let the moon teach you the art of being beautiful and lonely at the same time.” —Anand Thakur "Everyone is a moon, and has a dark side which he never shows to anybody." —Mark Twain
Tsukimichi: Moonlit Fantasy (Japanese: 月が導く異世界道中, Hepburn: Tsuki ga Michibiku Isekai Dōchū, lit. "Journey in an Alternate World Guided by the Moon") is a Japanese light novel series written by Kei Azumi and illustrated by Mitsuaki Matsumoto.
Hanbun no Tsuki ga Noboru Sora (半分の月がのぼる空, lit. Sky with a Rising Half-Moon), subtitled looking up at the half-moon and also known as Hantsuki, is a Japanese romance light novel series written by Tsumugu Hashimoto and illustrated by Keiji Yamamoto centering on two hospitalized seventeen year olds and the love they begin to share.
"Let the moon teach you the art of being beautiful and lonely at the same time." — Anand Thakur "Just like moons and like suns, with the certainty of tides, just like hopes springing high, still ...
One Hundred Aspects of the Moon, or Tsuki no Hyakushi (月百姿) in Japanese, is a collection of 100 ōban size ukiyo-e woodblock prints by Japanese artist Tsukioka Yoshitoshi printed in batches, starting in 1885 until 1892. [1] It represents one of Yoshitoshi's later works.