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Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.
The Holy Family with Saint Anne and the Infant Saint John and the Holy Family with Saint Elizabeth and the Infant Saint John the Baptist are titles given to two very similar pictures of the Holy Family by the Italian Renaissance painter Bronzino. The first version (German: Hl. Familie mit Hl.
Holy Family with Saints Anne and John the Baptist (Luini) Holy Family with the Infant Saint John the Baptist (Beccafumi, Alte Pinakothek) Holy Family with the Infant Saint John the Baptist (Beccafumi, Galleria Palatina) Holy Family with the Infant Saint John the Baptist (Beccafumi, Uffizi) Holy Family with the Infant Saint John the Baptist ...
The painting depicts the Holy Family together with the Infant John the Baptist. Mary and Joseph form the curved borders of the painting, surrounding baby Jesus and John the Baptist. The Christ Child is most likely the figure embracing the lamb, as a reference to him being the Lamb of God .
This depiction of the Holy Family plus St. John has many Mannerist traits: vibrant colors, exaggerated monumentality, formal complexity, and awkward composition. [2] The figures are all massive and muscular (particularly evident in St. John's arm), then crammed together for a composition which is highly expressive, if somewhat uncomfortable. [3]
Jesus holds a small book and raises an arm that shows a muscularity that is entirely inspired by Michelangelo. The elderly St. Joseph and St. John appear from the back. The typical characteristics of Beccafumi's art can be recognized in the sweetness of the shades, the light effects, the various and characterized physiognomies, and the ...
Holy Family. Holy Family with Saints Elizabeth and John the Baptist is a fragment of fresco from the Basilica of Sant'Andrea, Mantua, now held in Mantua's Diocesan Museum.It was painted ca. 1509–1511 by the Italian Renaissance painter Correggio and is 1.5m in diameter. [1]
Jesus is in the hands of Mary seated and on the left appear Joseph, emerging from the shadows, and St. John, recognizable by the bowl with which he carried out the baptism. The intertwining of gestures and glances between the figures recalls the classical models of Raphael and the Florentine painters, combined with Beccafumi's very particular ...
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