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Pentozali music is instrumental: the main tune is played either on the violin or on the pear-shaped, bowed Cretan Lyra, to the accompaniment of a Laouto, played not in a melodic but in a more percussive or rhythmic fashion. It is the soloist who usually directs the flow of the dance: he improvises to signal the first dancer to improvise too ...
This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times. [1] It was the sole popular musical genre of the Greek people until the spread of Rebetiko and Laiko (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor. [ 2 ]
In May 2005, the band performed an acoustic version of the song live in Chicago at the United Center. This live version of "Yahweh" was later included as the twenty-second track on the band's concert film Vertigo 2005: Live from Chicago. [3] The band also played the song live during the closing credits of their 2008 concert film U2 3D. [4]
Ancient Greek songs (4 C, 3 P) Greek Christian hymns (3 P) Eurovision songs of Greece (45 P) Greek patriotic songs (3 P) + English-language Greek songs (30 P) A.
Cretan music, like most of the traditional Greek music, began as product of ancient, Byzantine music, with western and eastern inspirations. The first recorded reference to lyra was in the 9th century by the Persian geographer Ibn Khurradadhbih (d. 911); in his lexicographical discussion of instruments, he cited the lyre (lūrā) as the typical ...
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Depiction of the ancient Greek tonal system. The central three columns of the diagram show, first the modern note-names, then the two systems of symbols used in ancient Greece: the vocal symbols (favoured by singers) and instrumental symbols (favoured by instrument players).
Musical scene with three women painted by the Niobid painter.Side A of a red-figure amphora, Walters Art Museum. Music played an integral role in ancient Greek society. Pericles' teacher Damon said, according to Plato in the Republic, "when fundamental modes of music change, the fundamental modes of the state change with t