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Lessig defines "free culture" as analogous to "free speech" – that is, unrestricted. [5] A free culture supports and protects its creators and innovators directly and indirectly. It directly supports creators and innovators by granting intellectual property rights. It indirectly supports them by ensuring that follow-on creators and innovators ...
The term "free culture" was originally used since 2003 during the World Summit on Information Society [12] to present the first free license for artistic creation at large, initiated by the Copyleft attitude team in France since 2001 (named free art license). It was then developed in Lawrence Lessig's book Free Culture in 2004. [13]
He proposed the concept of "free culture". [35] He also supports free and open-source software and open spectrum. [36] At his free culture keynote speech at the O'Reilly Open Source Convention 2002, a few minutes of his speech was about software patents, [37] which he views as a rising threat to free software, open source software, and innovation.
Students for Free Culture is sometimes referred to as "FreeCulture", "the Free Culture Movement", and other variations on the "free culture" theme, but none of those are its official name. It is officially Students for Free Culture, as set for in the new bylaws that were ratified by its chapters on October 1, 2007, which changed its name from ...
Republic, Lost: How Money Corrupts Congress—and a Plan to Stop It is the sixth book by Harvard law professor and free culture activist Lawrence Lessig. In a departure from the topics of his previous books, Republic, Lost outlines what Lessig considers to be the systemic corrupting influence of special-interest money on American politics , and ...
The term "free culture" was originally the title of a 2004 book by Lawrence Lessig, considered a founding father of the free culture movement. [1] Free culture movement is dedicated to creating and making available their art, allowing others to freely use, study, distribute and improve on the work of others. [1]
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Lessig outlines two cultures - the read-only culture (RO) and the read/write culture (RW). The RO culture is the culture we consume more or less passively. The information or product is provided to us by a 'professional' source, the content industry , that possesses an authority on that particular product/information.