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In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".
Miksis-Olds examines soundscapes in the ocean, particularly the combination of ambient sound and sound produced by people, to define how marine mammals respond to changes in sound [17] and was part of a collaboration that identified an increase in sound levels in the Indian Ocean [18] which can have a negative impact on marine mammals. [19] [20]
The ocean-like quality of seashell resonance is due in part to the similarity between airflow and ocean movement sounds. The association of seashells with the ocean likely plays a further role. Resonators attenuate or emphasize some ambient noise frequencies in the environment, including airflow within the resonator and sound originating from ...
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
In 1995, David Toop published his second book, Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds, which examined music as a medium for deep mental involvement. [1] In the book, Toop said that ambient music can be defined as music listened for relaxation or music that "taps into the disturbing, chaotic undertow of the environment". [2]
Output of a computer model of underwater acoustic propagation in a simplified ocean environment. A seafloor map produced by multibeam sonar. Underwater acoustics (also known as hydroacoustics) is the study of the propagation of sound in water and the interaction of the mechanical waves that constitute sound with the water, its contents and its boundaries.
The album chiefly consists of interwoven low frequency sounds, flute, morse code and ocean sounds, as well as audio samples from sources such as a reading by Leonard Cohen of part of the Tibetan Book of the Dead, Ravi Shankar, and the science fiction film Contact (1997).
Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
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