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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Ding Dong, Ding Dong" is a song by English rock musician George Harrison, written as a New Year's Eve singalong and released in December 1974 on his album Dark Horse. It was the album's lead single in Britain and some other European countries, and the second single, after " Dark Horse ", in North America.
He also took a position as professor of music at the Indonesia University of Education and Pasundan University, both in Bandung. [ 3 ] On 17 August 2001, Roesli performed a satirized version of the patriotic song "Garuda Pancasila", changing the lyrics to say that he was tired of the lack of reform in the period following the fall of Suharto ...
Tiara Andini was born with the name Tiara Anugrah Eka Setyo Andini on 23 September 2001, in Patrang District, Jember Regency, [7] and the eldest of three children, from couple Nugroho Ediyono Deddy and Sari Yoshida Setyoastri.
For example, the interval between C and E (four half steps) is a major third, which can imply a C major chord, made up of the notes C, E and G. [3] In a triadic context chords with omitted thirds may be considered "indeterminate" triads. [4] Play ⓘ Melodic and harmonic intervals, respectively above and below. Play ⓘ
Bank Indonesia Day: Hari Bank Indonesia [24] 14 July: Tax Day: Hari Pajak: 2017 [25] 22 July: Attorney Day: Hari Kejaksaan / Hari Bhakti Adhyaksa: 1961: The establishment of the Indonesian Attorney as a stand-alone institution in 1960, previously a non-departmental institutions under the Department of Justice. [26] 23 July: National Children's ...
"Downtown" is a song written and produced by English composer Tony Hatch. Its lyrics speak of going to spend time in an urban downtown as a means of escape from everyday life.
Performance of the song at the end of The Hollywood Revue. The song has an unusual form. The 32-bar chorus opens the song and is followed by a 24-bar verse before the chorus repeats, in contrast to other songs of the period which often opened with a verse and contained an internal bridge.