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"Spirit of the Anzacs" is the first single from Lee Kernaghan's 2015 album of the same name. The charity single features Guy Sebastian, Sheppard, Jon Stevens, Jessica Mauboy, Shannon Noll and Megan Washington.
War memorial in ChristChurch Cathedral, Christchurch, New Zealand CWGC headstone with excerpt from "For The Fallen". Laurence Binyon (10 August 1869 – 10 March 1943), [3] a British poet, was described as having a "sober" response to the outbreak of World War I, in contrast to the euphoria many others felt (although he signed the "Author's Declaration" that defended British involvement in the ...
25 April is Anzac Day in Australia and New Zealand, a national day of remembrance, that traditionally is a day to attend the dawn service and attend or participate in the Anzac Day march to pay our respects to Australian and New Zealander service people who have served and/or died in all wars, but in particular those who fought at Gallipoli campaign in 1915.
Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute is a posthumous album by Frank Zappa. According to the liner notes, Frank's son Dweezil talked with his father shortly before Frank's death about the songs Frank had written that he would consider to be his "signature" tunes.
2015 marks the 100th anniversary of the ANZAC's landing of Australian and New Zealand soldiers at Gallipoli during World War I.In honour of this landmark occasion, former Australian of the Year Kernaghan teamed up with a host of local artists and musicians to record Spirit of the Anzacs.
Siegfried's Funeral March; Il Silenzio (song) Slonimsky's Earbox; Sonata for Violin and Cello (Ravel) Song for Athene; String Quartet No. 4 (Shostakovich) String Quartet No. 7 (Shostakovich) Symphonies of Wind Instruments; Symphony No. 2 (Milhaud)
Another, perhaps more historically verifiable, account of "Taps" first being used in the context of a military funeral involves John C. Tidball, a Union artillery captain who during a break in fighting ordered the tune sounded for a deceased soldier in lieu of the more traditional—and much less discreet—three volley tribute. Army Col. James ...
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]