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The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy , and so is widely ...
In a 1870 publication, German art historian Carl Justi observed that the painting depicts two subsequent episodes in the biblical narrative of Christ: after the transfiguration, Jesus encounters a man who begs mercy for his devil-possessed son. [35] Raphael plays on a tradition equating epilepsy with the aquatic moon (luna, from whence lunatic).
Transfiguration of Jesus in Christian art; B. Transfiguration (Bellini, Venice) Transfiguration of Christ (Bellini) G. Gotha Altarpiece; L. Transfiguration (Lotto) P.
The Transfiguration is an oil on canvas altarpiece by Ludovico Carracci, from 1595. It is held in the Pinacoteca Nazionale di Bologna . An earlier version of the topic was painted between 1588 and 1590, and is housed in the Scottish National Gallery , in Edinburgh .
The Transfiguration of Jesus is an event described in the New Testament, where Jesus is transfigured and becomes radiant in glory upon a mountain. [1] [2] The Synoptic Gospels (Matthew 17:1–8, Mark 9:2–13, Luke 9:28–36) recount the occasion, and the Second Epistle of Peter also refers to it.
Neither group includes Easter/the Resurrection, which had a unique higher status. The group in art are: Annunciation, Nativity, Presentation, Baptism, Raising of Lazarus, Transfiguration, Entry into Jerusalem, Crucifixion of Jesus, Harrowing of Hell, Ascension, Pentecost, Dormition of the Theotokos (Death of the Virgin). [3]
Paintings of the Transfiguration of Jesus (12 P) W. Paintings of Christ and the woman taken in adultery (11 P) Pages in category "Paintings of Jesus"
Transfiguration of Christ is a c.1480 oil-on-panel painting of the Gospel episode the Transfiguration of Jesus by the Italian Renaissance master Giovanni Bellini, now in the Capodimonte Museum in Naples, Italy. [1] By this time Bellini had abandoned Gothic art and outgrown the influence of Mantegna.
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