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A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Scythian art makes great use of animal motifs, one component of the "Scythian triad" of weapons, horse-harness, and Scythian-style wild animal art.The cultures referred to as Scythian-style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of Inner Mongolia.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
A common motif used in clothing and other arts products is the dragon playing with flaming pearls (or balls [34]: 8 ), which appeared during the second half of the first 1st millennium AD. [1] The flaming ball or ball represents either the sun or the moon; it is sometimes referred as the "day or night shining pearl".
Motifs and objects were used instead as an identifying mark for the patrons with books and eventually newspapers were a common traditional motif in male portraits, while female portraits contained symbols of femininity and domesticity such as fruits, flowers, animals or handheld fans. [10]
The three most common okil motifs used by the Muslim Sama are dauan-dauan (leaf motifs), kaloon (curlicues and curved lines), and agta-agta or buaya (fish or crocodile motifs). [3] Nevertheless, Sama okil share some common motifs with okir. The Maranao naga (sea serpent) figure is believed to be related to the Sama agta-agta motifs. They are a ...
The patterns include motifs of animals, birds, human forms, flowers, diamond, and celestial phenomenon. These indigenous patterns are woven by tribal and nontribal Weavers. The motifs are known as phul. The bright-hued diamond motifs representing fine workmanship is a typical and traditional feature of the textiles of Assam.
[47] [48] Animal motifs were also commonly used in stone-carved decoration in Anatolian Seljuk architecture (12th–13th centuries) and images of lions were favoured in this context. [49] Examples include the lion reliefs on the Döner Kümbet tomb (c. 1275) and the lion-head carvings on the Sahabiye Madrasa (c. 1267), both in Kayseri , and two ...
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