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The BMP-3 is a Soviet and Russian infantry fighting vehicle, successor to the BMP-1 and BMP-2. ... The song is from the perspective of a driver of a BMP-3, singing to ...
"Third Uncle" is a 1974 song by the English musician Brian Eno, released on his second solo album Taking Tiger Mountain (By Strategy). [3] The song was recorded at Basing Street Studios in Notting Hill, London, in September 1974, and produced by Eno.
"BMF" (formerly "Boy from South Detroit") is a song by American singer-songwriter SZA from Lana (2024), the reissue of her second studio album SOS (2022). It references Journey 's " Don't Stop Believin' " , both of which feature a "south Detroit" line, and interpolates the 1960s bossa nova single " The Girl from Ipanema ".
The BMP-1, the predecessor to the BMP-2. Although the BMP-1 was a revolutionary design, its main armament, the 2A28 Grom and the 9S428 ATGM launcher capable of firing 9M14 Malyutka (NATO: AT-3A Sagger A) and 9M14M Malyutka-M (NATO: AT-3B Sagger B) ATGMs, quickly became obsolete.
A M2 Bradley tracked infantry fighting vehicle in US service during the Second Battle of Fallujah (2004) A Russian BMP-3 with embarked infantry. An infantry fighting vehicle (IFV), also known as a mechanized infantry combat vehicle (MICV), [1] is a type of armoured fighting vehicle used to carry infantry into battle and provide direct-fire support. [2]
"Chemtrails over the Country Club" is a song by American singer-songwriter Lana Del Rey. It was released on January 11, 2021, by Interscope Records and Polydor Records as the title track and second single from her seventh studio album of the same name. [1] [2] [3] The song was written and produced by Del Rey and frequent collaborator Jack Antonoff.
The song then appeared on the sixth compilation of the Live Lounge. [78] Colette Carr did a cover of the song, with new lyrics on her debut mixtape Sex Sells Stay Tooned along with Cherry Cherry Boom Boom. Richard Cheese covered "Like a G6" on his 2011 album A Lounge Supreme. Connor Anderson made a parody of the song called "Roll a D6". [79 ...
Reviewing Drukqs in 2001, Pitchfork wrote that tracks including "'Avril 14th' ... rove dangerously close to the Windham Hill new age aesthetic of the 80s". [4] It surprised some listeners expecting more electronic work, though Fact wrote in 2017 that it was "a perfect embodiment of Aphex and the line he constantly treads between the mechanical and the human". [2]