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The Spanish Singer is an 1860 oil painting on canvas by the French painter Édouard Manet, conserved since 1949 at the Metropolitan Museum of Art of New York. Composed in Manet's studio, it employed a model and props which were later used for at least one other painting. [ 1 ]
The Spanish Singer: 1860: 147.3 × 114.3 cm: Metropolitan Museum of Art (New York) Boy Carrying a Sword: 1861: 131.1 × 93.4 cm: Metropolitan Museum of Art (New York) The Surprised Nymph: 1860 / 1861: 146 × 114 cm: Museo Nacional de Bellas Artes (Buenos Aires) Street Singer: 1862: 174 × 118 cm: Museum of Fine Arts, Boston: Lola of Valencia ...
It is possible that Manet's 1860 painting The Spanish Singer (Metropolitan Museum of Art, New York) was a model for Degas's depiction of Lorenzo Pagans in a double portrait with his father. [7] The musician portrayed by Manet is also shown singing and playing the guitar but in a folkloric setting.
The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in Washington, DC. [1]
Manet's work, which appeared "slightly slapdash" when compared with the meticulous style of so many other Salon paintings, intrigued some young artists and brought new business to his studio. [15] According to one contemporary source, The Spanish Singer, painted in a "strange new fashion[,] caused many painters' eyes to open and their jaws to ...
The work measures 76.2 × 118.1 centimetres (30.0 × 46.5 in). It was first exhibited in 1863, and Manet sold the painting to opera singer and collector Jean-Baptiste Faure in January of 1883, shortly before Manet's death. [7] It was sold on to dealer Paul Durand-Ruel in 1898, and then to collector Sir Hugh Lane in 1903.
Street Singer is a circa 1862 oil-on-canvas painting by Édouard Manet depicting a female street musician standing near the entrance to a cabaret. [1] The painting was inspired by a meeting between the artist and a street singer. Manet asked her to pose for him but she refused, so Manet asked a favorite model, Victorine Meurent, to pose for the ...
Manet's Mademoiselle V. in the Costume of an Espada is the product of a combination of influences. The scene in the background is reminiscent of Spanish artist Francisco Goya's series of prints known as the Tauromaquia. Manet borrowed several elements from Goya's elements with little modification.