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The decorative scenes needed to feature the elite because they were the primary customers and wanted to have artwork that featured themselves. [3] On each ceramic piece near the rim, its contents would be listed out, a type of beverage for a vase or food for a plate, then who it belonged to was written next.
3-part vase, c. 1875-90, Carl Thieme, porcelain, Honolulu Museum of Art. Following a collapse of the entire industry in the 1990s, the slowly recovering production trends towards figures such as dancers or bird figures, mainly in the Baroque and Rococo styles. [1] Today the porcelain works draw on a decor fund of hundreds of different styles ...
This list of glassware [1] includes drinking vessels (drinkware), tableware used to set a table for eating a meal and generally glass items such as vases, and glasses used in the catering industry. It does not include laboratory glassware.
The work of the main producers in the style concentrated on single decorative items such as vases, jugs and bowls, rather than sets of tableware. There were a relatively large numbers of basic shapes in the plain clay body, and these were heavily decorated, typically with a great variety of glaze effects in more than one colour, many using ...
Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.
Around 1550 an even smaller town, Gualdo Tadino, also began to make some, for about a century, [3] which was the last Renaissance lustre, Gubbio having stopped about 1570, and Deruta around 1630. [3] There was a revival in England and other European countries in the late 18th century, when the techniques had largely to be reinvented, continuing ...
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