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The architecture of Baku is not characterized by any particular architectural style, having accumulated its buildings over a long period of time. In itself, Baku contains a wide variety of styles, progressing through Masud Ibn Davud's 12th century Maiden Tower and the educational institutions and buildings of the Russian Imperial era.
The architecture of Azerbaijan (Azerbaijani: Azərbaycan memarlığı) refers to the architecture development in Azerbaijan. Architecture in Azerbaijan typically combines elements of East and West. Many medieval structures such as the Maiden Tower and Palace of the Shirvanshahs in the walled city of Baku survive in modern Azerbaijan.
AUAC started out in 1920 as a Construction faculty within the Baku Polytechnic Institute. In 1930–34, AUAC operated as an independent Construction and Architecture Institute, from 1934 as a faculty in the Azerbaijan Industrial Institute, and from 1951 as a faculty in the Azerbaijan Technical University.
The irrepressible fancy of the owner, the refined taste of the architect and the high quality of the construction created an authentic masterpiece of pure Baku architecture which managed to absorb and organically synthesise the influences of very different cultures. The Hajinski residence became separated apartments during the Soviet period. [5]
The abbot of the monastery and the representative of the Isfahan mission, Capuchin Pater Raphael du Mans in his essay in 1660 described Shirvanshah Palace in Baku fortress and gave information about its desolation and destruction. In 1723, Baku was besieged by the troops of Peter I, and the city was bombed. In this regard, the south-eastern ...
The Nizami Park (Azerbaijani: Nizami parkı) is one of the oldest parks in Baku, the capital of Azerbaijan.It is located in the Khatai district of the city on the territory of the Villa Petrolea, a residential settlement built by the Nobel brothers at the end of the 19th century for the employees of their company on the border of the Black City in the suburbs of Baku.
In the architecture of the Monolith, Brittanytsky emphasizes the rough heaviness of the lower tier, which is processed with decorative masonry of large rustic stones. Together with the developed cornice and vertical stripes of rustic materials at the corners of the building, this tier sets off, according to Brittany, the small scale of ...
The stylistic features and the incomplete embroidery work date the Divanjan to the end of the fifteenth century when the Safavid armies took Baku. The clerical plan, the content of the inscription on the ground floor and entrance to the hall (Quran, verses 10, 26 and 27) show that it is a memorial place.