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Possibly the earliest example of a fade-out ending can be heard in Joseph Haydn's Symphony No. 45, nicknamed the "Farewell" Symphony on account of the fade-out ending.The symphony which was written in 1772 used this device as a way of courteously asking Haydn's patron Prince Nikolaus Esterházy, to whom the symphony was dedicated, to allow the musicians to return home after a longer than ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Fade-out or fade, a gradual decrease in sound volume; Fade (lighting) or fade-out, a gradual decrease in intensity of a stage lighting source; Dissolve (filmmaking) or fade-out, a cinematographic technique causing the picture to darken and disappear
An outro (sometimes "outtro", also "extro") is the opposite of an intro. Outro is a blend of out and intro.. The term is typically used only in the realm of popular music.It can refer to the concluding track of an album or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops.
"Street Spirit (Fade Out)" is a song by the English rock band Radiohead, released on their second studio album, The Bends (1995). It was released as a single on 22 January 1996. It was released as a single on 22 January 1996.
"Fade Out Lines" is a song by French music producer The Avener. It is a deep house rework of "The Fade Out Line", an original song by Australian band Phoebe Killdeer & the Short Straws from their 2011 album Innerquake. [1] [2] It was written by Phoebe Killdeer, composed by Cédric Le Roux and Archive singer Craig Walker, and produced by the ...
The song was written by Don Felder (music), Don Henley, and Glenn Frey (lyrics), featuring Henley on lead vocals and concluding with a 2 minute and 12 seconds long electric guitar solo performed by Felder and Joe Walsh, in which they take turns playing the lead before harmonizing and playing arpeggios together towards the fade-out. [7] The song ...
The version of "Oh Industry" on the soundtrack has a fade out ending, whereas the version in the film features an alternate cold ending. The only track on the album not to involve Midler is "The Friendship Theme" from the movie's score, composed by Georges Delerue in his only work for a Garry Marshall film.