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Most of Donatello's major works for churches remain in situ, or moved inside to the church museum. The Bargello in Florence has the main museum collection, including his most famous portable pieces. Hardly any large pieces are outside Italy, but there are many Madonnas and other smaller pieces, often with uncertain attributions.
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello, probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance, and the first freestanding nude male
Amore-Attis (literally Love-Attis) is a bronze sculpture by Donatello of c. 1440–1443. It is 104 cm high and has traces of its original gilding, and is now in the Museo del Bargello in Florence. [1] With his most famous work, the bronze David (also
David is a marble statue of the biblical hero by the Italian Renaissance sculptor Donatello.One of his early works (1408–1409), it was originally commissioned by the Operai del Duomo, the Overseers of the Office of Works, for the Florence Cathedral and was his most important commission up to that point.
Sculptures by Donatello (c.1380s−1466) — the Italian Renaissance sculptor, based in the Republic of Florence. Pages in category "Sculptures by Donatello" The following 36 pages are in this category, out of 36 total.
Donatello's sculpture is notable for its detailed realism, evidence of the artist's skills. Even the veins of St. Mark's left hand are visible as he holds a text upon his hip. Contrapposto or natural pose, is used with Donatello's St. Mark. The saint has more weight on his right leg, his left knee is bent, and his torso is slightly twisted.
Donatello, "the most inflential individual artist of the 15th century", [146] started receiving significant commissions in about 1408, mostly in marble, and by 1411 his Saint Mark was commissioned for the Orsanmichele. For the next half-century he was the most important and inventive sculptor in Italy, bringing Renaissance style to maturity.