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The Japanese dry garden (枯山水, karesansui) or Japanese rock garden, often called a Zen garden, is a distinctive style of Japanese garden. It creates a miniature stylized landscape through carefully composed arrangements of rocks, water features, moss, pruned trees and bushes, and uses gravel or sand that is raked to represent ripples in ...
Japanese gardens are designed to be seen from the outside, as in the Japanese rock garden or zen garden; or from a path winding through the garden. Use of rocks: in a Chinese garden, particularly in the Ming dynasty , scholar's rocks were selected for their extraordinary shapes or resemblance to animals or mountains, and used for dramatic effect.
Many of Kumada's design principles are still in evidence. The paving stones are of a size that compels an adult walker to slow down. [3] The garden is split into a sansui (山水), a "mountain and lake garden", and a kare-sansui (枯山水), a "dry rock garden", intended to evoke mountains surrounded by water, even the sea.
It belongs to the Myōshin-ji school of the Rinzai branch of Zen Buddhism. The Ryōan-ji garden is considered one of the finest surviving examples of kare-sansui ("dry landscape"), [1] a refined type of Japanese Zen temple garden design generally featuring distinctive larger rock formations arranged amidst a sweep of smooth pebbles (small ...
The clay wall, which is stained by age with subtle brown and orange tones, reflects sabi principles, with the rock garden reflecting wabi principles. [1] A Japanese tea house which reflects the wabi-sabi aesthetic in Kenroku-en (兼六園) Garden Wabi-sabi tea bowl, Azuchi–Momoyama period, 16th century. In traditional Japanese aesthetics ...
A formal garden in the Persian and European garden design traditions is rectilinear and axial in design. The equally formal garden, without axial symmetry (asymmetrical) or other geometries, is the garden design tradition of Chinese and Japanese gardens. The Zen garden of rocks, moss and raked gravel is an example. The Western model is an ...
Japanese garden at Erholungspark Marzahn, Berlin (2003). Shunmyō Masuno (枡野 俊明, Masuno Shunmyō) (born 28 February 1953) [1] is a Japanese monk and garden designer. He is chief priest of the Sōtō Zen temple Kenkō-ji (建功寺), professor at Tama Art University, and president of a design firm that has completed numerous projects in Japan and overseas.
Sōji-ji, of the Soto Zen school. Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or ...
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