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Based on the popular story, the dancers take different postures leading to them ultimately revolving both their hands on their heads. The dancer enacting Bhasmasura is placed at the end of row and he is the last dancer to revolve his hands over his head.
In his Marathi language magazine Suvarnamala, Phalke had published a story Surabaichi Kahani (A Tale of Sura). The story, which depicted the ill effects of alcoholism, was the first he considered for filming. After watching several American films screened in Bombay, he observed that they included mystery and romance, which the audiences liked.
Naraka, also known as Narakāsura, and Bhaumāsura was an asura king, the legendary progenitor of all three dynasties of Pragjyotisha-Kamarupa, and the founding ruler of the legendary Bhauma dynasty of Pragjyotisha.
The epithet of Bholanath is sometimes associated with the episode of Bhasmasura.In this legend, the aforementioned asura sought the boon of turning anything he touched to ash after propitiating Shiva.
Satyavadi Raja Harishchandra (Marathi: सत्यवादी राजा हरिश्चंद्र; English: Truthful King Harishchandra) is a 1917 silent black and white Indian short film directed and produced by Dhundiraj Govind Phalke. [1]
Vishnu Prabhakar (21 June 1912 – 11 April 2009) was a Hindi writer. He had several short stories, novels, plays and travelogues to his credit. Prabhakar's works have elements of patriotism, nationalism and messages of social upliftment.
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Jayshree was born into a Konkani-speaking family at Kanasgiri (Sadashivgad) near Karwar in the Uttara Kannada district of Karnataka, India. [6] She married Bal Dhuri, a theatre actor best known for his portrayal of Dashratha in Ramanand Sagar's TV serial, Ramayana (where Jayashree herself played his wife, Kaushalya).