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The Panini was the first non-Renaissance Italian painting acquired by Kress (see Edgar Peters Bowron, "The Kress Brothers and Their 'Bucolic Pictures': The Creation of an Italian Baroque Collection", in A Gift to America: Masterpieces of European Painting from the Samuel H. Kress Collection, Exh. cat. North Carolina Museum of Art, Raleigh, 1994 ...
The Doors of the Roman Pantheon are the main entrance bronze doors to the rotunda of the Roman Pantheon. As a monument of applied arts , the exact date of their creation has remained open to speculation for centuries, with scholars attempting to determine the age of the doors and whether they are contemporaneous with the Pantheon.
The Pantheon (UK: / ˈ p æ n θ i ə n /, US: /-ɒ n /; [1] Latin: Pantheum, [nb 1] from Ancient Greek Πάνθειον (Pantheion) '[temple] of all the gods') is a former Roman temple and, since AD 609, a Catholic church (Italian: Basilica Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy.
Between 1753 and 1757, Count Étienne François de Choiseul, Louis XV's ambassador to Rome in the 1740s, commissioned four paintings from Pannini: the Galleries of Views of Ancient Rome [7] and Modern Rome, [8] a view of the Place Saint-Peter and an Interior of St. Peter's Basilica. [9] These paintings were made between 1754 and 1757.
Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities.
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Panini was a famed painter of capriccios, architectural fantasies.In this case, he combined a staggering array of monuments by Romans without regard to topography. From left to right, he included the Temple of Hadrian, the Pantheon, the Temple of Vesta, the Maison Carrée, and the Theater of Marcellus, all of them surrounding the Obelisk of Thutmose III.