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The Mardala used to be the accompanying instrument to the Mahari dance, the ancestor of present-day Odissi dance, one of the major classical dance forms of India. In hundreds of Kalingan temples across the state of Odisha, including famous shrines such as Mukteswara and Konarka , the Mardala features prominently, usually in a niche of an ...
The Mardala is a percussive instrument native to the state of Odisha. It is traditionally used as the primary percussive instrument with Odissi music. [2] The Mardala is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. [21]
A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
It is also used in dance in Bharat Natyam, Kuchipudi Manipuri Mohiniattam Andhra Natyam Kathakali This Instrument has some other names e.g. thaaleaj (Kashmir), taalam, tala, jalra etc. [4] Ramtaal or Khoritaal are two wooden handled musical instruments, containing multiple pairs of small cymbals. It is generally known India as Khartal.
The wooden instrument initially comprised two flute pipes of the same length but over time, one of them was shortened for sound purposes. In the world of Alghoza playing, the two flute pipes are a couple — the longer one is the male and the shorter one the female instrument. With the use of beeswax, the instrument can be scaled to any tune. [6]
The pattala is similar to other mainland Southeast Asian instruments, including the Thai ranat ek and the Cambodian roneat ek. In pre-colonial Burma, the pattala was used in royal court music. [ 7 ] In fact, when the piano was first introduced to the Burmese court in the late 1800s, it was tuned to the scale of the pattala.
The balag instrument was known to accompany the city lament. [7] Over time, as city laments became associated with scribal schools , the balag was adapted for many different ritual uses. [ 7 ] As the city lament became more distant from ritual activity, the balag emerged as a distinct literary genre.
The Nepali sarangi is a traditional stringed musical instrument of Nepal, commonly played by the Gaine or Gandarbha ethnic group; the form and repertoire of the instrument in Nepal is more folk oriented than in India, and it is particularly associated with Gandarbha people.