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An anapaest (/ ˈ æ n ə p iː s t,-p ɛ s t /; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry.In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable.
Trochaic tetrameter in Macbeth. In poetic metre, a trochee (/ ˈ t r oʊ k iː /) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short ...
It refers to a line consisting of four dactylic feet. "Tetrameter" simply means four poetic feet. "Tetrameter" simply means four poetic feet. Each foot has a stressed syllable followed by two unstressed syllables, the opposite of an anapest , sometimes called antidactylus to reflect this fact.
The most common feet in English are the iamb, trochee, dactyl, and anapaest. [1] The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term pes, plural pedes, which in turn is a
Anapestic tetrameter (British spelling: anapaestic) is a poetic meter that has four anapestic metrical feet per line. Each foot has two unstressed syllables followed by a stressed syllable. It is sometimes referred to as a "reverse dactyl", and shares the rapid, driving pace of the dactyl. [1] [2] [3] [4]
A stress maximum syllable is a stressed syllable surrounded on both sides by weak syllables in the same syntactic phrase and in the same verse line. In order to be a permissible line of iambic pentameter, no stress maximum can fall on a syllable that is designated as a weak syllable in the standard, unvaried iambic pentameter pattern.
In English poetry, feet are determined by emphasis rather than length, with stressed and unstressed syllables serving the same function as long and short syllables in classical metre. The basic unit in Greek and Latin prosody is a mora , which is defined as a single short syllable.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...