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A panoramic photograph of the entrance floor in Museo Soumaya with Rufino painting. In 1959, Tamayo and his wife, Olga Flores, returned to Mexico permanently and Tamayo built an art museum in his home town of Oaxaca, the Museo Rufino Tamayo. In 1972, Tamayo was the subject of the documentary film, Rufino Tamayo: The Sources of his Art by Gary ...
Still Life (1954) belongs to Tamayo’s most prolific period. It exemplifies the handling of color that is characteristic of his work. The rich tradition of still life painting in Mexico was not only continued, but also developed into a more modern form, culminating in the characteristic watermelon paintings produced by Rufino Tamayo in the course of his entire career.
Day and Night (Spanish: Día y noche) is a mural by Rufino Tamayo, painted using Vinylite resin on canvas and mounted on particleboard.As well as Still Life, it was originally created for the perfumes and pharmacy section of the Sanborns store on Lafragua Street in Mexico City. [2]
Museo Rufino Tamayo is a public contemporary art museum located in Mexico City's Chapultepec Park, that produces contemporary art exhibitions, using its collection of modern and contemporary art, as well as artworks from the collection of its founder, the artist Rufino Tamayo. Museo Tamayo - architecture
The museum contains collections of pre-Columbian art once owned by artist Rufino Tamayo. [1] It is housed in a colonial-style building. The displays are arranged according to aesthetic themes. One of the chief purposes of Tamayo and the museum was to collect the historic pieces, and to protect them from entering the illegal artifact traders market.
The brightly colored 51" by 38" (130 cm x 97 cm) painting is considered to be significant as an example of Tamayo's mature style. It is an abstract depiction of a man, a woman and an androgynous figure in a rich palette of purple, orange and yellow, with Tamayo's signature rough surface texture, made of sand and ground marble dust mixed into ...
Alejandro Santiago was born in Teococuilco de Marcos Perez, Oaxaca, 60 km northeast of the city of Oaxaca.When he was 9, he moved with his family to Oaxaca city. Santiago studied at the Centro de Educacion Artistica and was among the first graduates of the Rufino Tamayo Plastic Arts
His oeuvre is a reference to his muse Olga Tamayo. Both figures wear a bun that his wife used to wear frequently. The skin color demonstrates their Indian heritage. The artist created a new narrative of Mexico and the femininity. The red tree creates a contrasting balance with the weight of the two female figures.
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