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2. "Whistle and Chime - The Art of Sound Creation" 8. "Deux Arabesques No. 2" 13. "Nuages - Nocturnes"At least two of these titles are slightly wrong; the title track appears to be a mistranslation back into English of an other-language (probably Japanese) version of Debussy's original title (The Snow Is Dancing), whereas "Golliwog's Cakewalk" contains the common misspelling of the name ...
The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. The arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form.
The opening bars of Jean Sibelius's Arabesque (Op.76, No.9). The most well-known are Claude Debussy's Deux Arabesques, composed in 1888 and 1891, respectively. Other composers who have written arabesques include: Claude Debussy: Two Arabesques (1891), L.66; Marin Marais: L'arabesque (1717), appears in the soundtrack of the film Tous les Matins ...
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's ...
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
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Commissioning a number of composers such as André Caplet and Vincent d'Indy, in 1901 American saxophonist Elise Hall had requested Debussy to compose a piece for the saxophone. [1] During the process of composition, Debussy is noted to have not looked favorably upon the abilities of either Hall nor the saxophone, and did not work on the ...
The work was produced in collaboration between Gabriele D'Annunzio (at that time living in France to escape his creditors) and Claude Debussy, and designed as a vehicle for Ida Rubinstein. Debussy's contribution was a large-scale score of incidental music for orchestra and chorus, with solo vocal parts (for a soprano and two altos).