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The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. The arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form.
2. "Whistle and Chime - The Art of Sound Creation" 8. "Deux Arabesques No. 2" 13. "Nuages - Nocturnes"At least two of these titles are slightly wrong; the title track appears to be a mistranslation back into English of an other-language (probably Japanese) version of Debussy's original title (The Snow Is Dancing), whereas "Golliwog's Cakewalk" contains the common misspelling of the name ...
The opening bars of Jean Sibelius's Arabesque (Op.76, No.9). The most well-known are Claude Debussy's Deux Arabesques, composed in 1888 and 1891, respectively. Other composers who have written arabesques include: Claude Debussy: Two Arabesques (1891), L.66; Marin Marais: L'arabesque (1717), appears in the soundtrack of the film Tous les Matins ...
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's ...
La fille aux cheveux de lin (French: [la fij o ʃəvø də lɛ̃]) is a musical composition for solo piano by French composer Claude Debussy.It is the eighth piece in the composer's first book of Préludes, written between late 1909 and early 1910.
Syrinx, L. 129, is a piece of music for solo flute which Claude Debussy wrote in 1913. It generally takes three minutes or less to perform. It was the first significant piece for solo flute after the Sonata in A minor composed by C. P. E. Bach over 150 years before (1747 [1]), and it is the first such solo composition for the modern Böhm flute, developed in 1847.
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The work was produced in collaboration between Gabriele D'Annunzio (at that time living in France to escape his creditors) and Claude Debussy, and designed as a vehicle for Ida Rubinstein. Debussy's contribution was a large-scale score of incidental music for orchestra and chorus, with solo vocal parts (for a soprano and two altos).