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The novel has been described as the greatest Joker story ever told. [55] [56] [57] Batman: The Killing Joke (1988) built on the Joker's 1951 origin story, portraying him as a failed comedian who participates in a robbery as the Red Hood to support his pregnant wife. Batman arrives to stop the robbery, provoking the terrified comedian into ...
Joker is the first live-action theatrical Batman film to receive an R rating from the Motion Picture Association. [a] Joker premiered at the 76th Venice International Film Festival on August 31, 2019 and was theatrically released in the United States on October 4. Although it received mixed reviews from critics, the film was a box office ...
Batman: The Killing Joke is a 1988 DC Comics one-shot graphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides another origin story for the supervillain the Joker, loosely adapted from the 1951 story "The Man Behind the Red Hood!", which was written by Batman co-creator Bill Finger.
Is there an end-credits scene? Could there be a sequel? What about Easter eggs? We have you covered for all things "Joker."
It tells the story of Batman's first encounter with the Joker in post-Zero Hour continuity. The plot is based on the Joker's original introduction in Batman #1 (1940). The title is a reference to Victor Hugo's novel The Man Who Laughs, whose main character was one of the original inspirations for the Joker. [2]
The consensus review on Rotten Tomatoes at the time of writing is: “Joaquin Phoenix’s eponymous Joker takes the stand in a sequel that dances around while the story remains still, although ...
Joker: Folie à Deux, which costars Brendan Gleeson, Leigh Gill, Zazie Beetz, Sharon Washington and Steve Coogan, is in theaters now. For more People news, make sure to sign up for our newsletter ...
Rolling Stone ' s Sean Collins praised Jerome's introduction and felt that the lack of an origin story was fitting because of the Joker's mysterious past in the comics. However, he was apprehensive about Jerome Valeska being a red herring for the Joker, likening it to "genre television's post-Lost fixation on mystery over meaning." [53]