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Evolution is the fifth studio album by American rock band Journey, released in March 1979 by Columbia Records.It is the band's first album to feature drummer Steve Smith.. It was the band's most successful album at the time, reaching No. 20 on the US Billboard 200 chart, and has sold three million copies in the US.
"Lovin', Touchin', Squeezin '" is a song by American rock group Journey released as a single in 1979 from the album Evolution. Lyrically, the song is about a woman who is cheating on her boyfriend, the narrator, but at the end of the song the woman's lover is cheating on her.
List of albums, with selected chart positions, sales figures and certifications Title Album details Peak chart positions Certifications; US [1] CAN [2] GER [3] NL [4] NOR [5] JPN [6] SWE [7] SWI [8] UK [9] Journey: Released: April 1, 1975; Label: Columbia; Formats: LP, cassette, CD; 138 — — — — 72 — — — Look into the Future ...
Dream, After Dream, performed by the American rock band Journey, is the soundtrack album to the Japanese romantic fantasy film Yume, Yume No Ato directed by fashion designer Kenzo Takada. Released in 1980 on Columbia Records, it was the seventh album-length recording by the group. The soundtrack firmly overshadowed the film itself, which ...
Journey is an American rock band from San Francisco, California.Formed in February 1973 as the Golden Gate Rhythm Section, the group was renamed Journey in the summer and originally included keyboardist and vocalist Gregg Rolie, lead guitarist Neal Schon, rhythm guitarist George Tickner, bassist Ross Valory and drummer Prairie Prince.
Escape (stylized as E5C4P3 on the album cover) is the seventh studio album by American rock band Journey, released on July 20, 1981, by Columbia Records. [5] It topped the US Billboard 200 chart [6] and featured four hit Billboard Hot 100 singles – "Don't Stop Believin '" (No. 9), "Who's Crying Now" (No. 4), "Still They Ride" (No. 19) and "Open Arms" (No. 2) [7] – plus rock radio staple ...
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[8] The Globe and Mail deemed the album "one of the most unjustifiably ignored gems of 1978." [9] In John Franck's AllMusic review, he wrote that the album, "effectively cemented their rep as one of America's most beloved (and sometimes hated) commercial rock/pop bands." The changes to the band and its music allowed "each bandmember to play to ...