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Born in Fairfield, Connecticut, Finlay began his dance training at the age of 8, at Ballet Academy East in New York City. During the summer of 2007, he began studying at the School of American Ballet, the official school of New York City Ballet (NYCB). He subsequently enrolled there as a full-time student. [2]
Kathryn Elizabeth Morgan (born August 17, 1988) [citation needed] is an American ballet dancer. She joined New York City Ballet in 2006 and was promoted to the rank of soloist in 2009. Morgan left New York City Ballet in 2012 due to health complications related to her suffering from Hashimoto's thyroiditis.
The Janice Levin Dancer Award was created in 2000 by an endowment gift from the late Mrs. Levin, and is bestowed annually on a promising member of NYCB's corps de ballet. [ 65 ] 2023 - 2024 – Naomi Corti
New York City Ballet American Music Festival (9 P) C. Choreographers of New York City Ballet (1 C, 16 P) D. New York City Ballet Diamond Project (1 C, 10 P) I.
Ashley Bouder (/ ˈ b aʊ d ər /; born December 10, 1983) is an American ballet dancer who is currently a principal dancer at the New York City Ballet. She also founded and currently runs her own project, The Ashley Bouder Project.
She joined the New York City Ballet in 1986, was promoted principal dancer in 1991, and retired in 2002. She served as the director of the Boston Ballet School between 2007 and 2021, dean of the Colburn School's Trudl Zipper Dance Institute since 2023, and slated to become the artistic director of Canada's National Ballet School in 2024.
She was a principal dancer with the American Ballet Theatre in New York City from 1986 until 1993. She was also nominated for an Academy Award for Best Supporting Actress, [2] as well as a Golden Globe Award [3] at age 20, for portraying a young dancer invited to join a large New York ballet company in The Turning Point (1977).
Farrell began her ballet training as a child in Cincinnati. In 1960, she received a scholarship to the School of American Ballet. Her first leading roles in ballets came in the early 1960s. A muse of George Balanchine, she left the New York City Ballet in 1969 and subsequently moved to Brussels to dance for Maurice Bejart's Ballet of the 20th ...