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Em đi trong chiều (In the evening you walk) Em hãy ngủ đi (Sleep, My Dear) Em là hoa hồng nhỏ (You are a little rose) Gần như niềm tuyệt vọng (A resemblance of despair) Gia tài của mẹ (A mother's legacy) Giọt lệ thiên thu (A tear of eternity) Giọt nước mắt cho quê hương (A tear for my homeland)
The traditional music of Vietnam has been heavily influenced by Chinese music, mainly in terms of musical instruments and performance styles. [3] The introduction of American music, particularly rock and roll and pop music, has influenced the development of modern Vietnamese music.
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Although rumba is played predominantly in binary meter (duple pulse: 2 4, 4 4), triple meter (triple pulse: 9 8, 3 4) is also present. In most rumba styles, such as yambú and guaguancó, duple pulse is primary and triple-pulse is secondary. [18] In contrast, in the rural style columbia, triple pulse is the primary structure and duple pulse is ...
Đờn ca tài tử Orchestra in Saigon, 1911. Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam.
Tình anh bán chiếu (English: Love of the Mat Seller) is the ca cổ which was written in 1959 by People's Artist Viễn Châu. This brought People's Artist Út Trà Ôn into the supreme class in cải lương. This is the "King of Vọng Cổ", when mentioning Vien Chau, people immediately remember "Tình anh bán chiếu". [1]