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Today and Tomorrow is the fourth album by jazz pianist McCoy Tyner.It was recorded for the Impulse! label in 1963 and 1964. The two sessions featured performances by Tyner with bassist Jimmy Garrison, drummer Albert Heath, tenor saxophonist John Gilmore, trumpeter Thad Jones, alto saxophonist Frank Strozier, bassist Butch Warren and drummer Elvin Jones.
"Today, Tomorrow and Forever" is a song written by Bernie Baum, Florence Kaye and Bill Giant and based on a classical piano piece titled "Liebestraum" by Franz Liszt. [ 1 ] [ 2 ] Elvis Presley performed the song in the 1964 MGM film Viva Las Vegas .
"Today, Tomorrow and Forever" is a song by American country music singer Patsy Cline. It was released as a single in 1957 via Decca Records and was composed by Don Reid. It was the follow-up release to Cline's major hit of 1957, " Walkin' After Midnight ."
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Like guitar, basic ukulele skills can be learned fairly easily, and this highly portable, relatively inexpensive instrument was popular with amateur players throughout the 1920s, as evidenced by the introduction of uke chord tablature into the published sheet music for popular songs of the time [25] (a role that was supplanted by the guitar in ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
"This Time Tomorrow", like most of the other tracks on Lola Versus Powerman and the Moneygoround, Part One, criticizes the music business. More specifically, the track complains of the monotony of being on the road. The singer, who is currently on a plane, wonders where he'll be "this time tomorrow."
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", [3] is a song written by Gerry Goffin and Carole King. It was first recorded in 1960 by the Shirelles for their album Tonight's the Night; released as a single that November, it became the first song by an African-American girl group to top the Billboard Hot 100 chart. [4]
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